For the body size and handling, it’s really a nice camera for the right person. I can’t use it for my general shooting for several reasons but if I want a stealthy UHD camera, this one just might fit the bill. At a price below $900, I was stunned just how good it actually was.
The IQ (image quality) of the camera for a still is pretty good, though it’s not a higher end Nikon or Canon. Don’t be fooled. In dark areas at low ISO it’s easy to see the noise. A huge zoom lens just won’t have the resolution for stills. For most, they’ll be amazed. But if you’re discerning, you’ll be only “okay” with the shadow performance.
If you click on the image on the right, you can see a small sized sample of the full image. The red box shows the 1:1 sample area of the image on the moose hide. For as good as the image looks in full screen, when you get down to the nitty gritty, you’ll see it’s “okay”. I didn’t have time to do a MTR test or anything, but those don’t translate well into “what does it actually look like” terms.
But for video quality you get a very nice image. I was pretty amazed to see it on an iMac display, even though the image was interpolated. It was just clearer than I’ve seen HD. Really, it looked like HD played on a 120Hz TV display. That was the look. The video samples were shot at 60FPS, so perhaps that helped. It really looked like the real thing. I didn’t expect it to be that much better than HD. But if you stack up a 3-chip HD camera with better dynamic range against a limited range, small sensor like this, you might be pressed to tell the difference. Again in the shadows there will be noise. The again, what do you expect for a small form factor single chip camera?
The aperture goes from about f/3 to ONLY f/8. That’s really miserable for photography. Nature of small sensor cameras. Even though the specs claim f/2.8 to f/11, in the shooting I was testing it with, it only really gave me f/3 to f/8 to work with. That’s a tough one, especially in full daylight shooting.
That zoom and optical stabilizer is awesome. I’d love to have something that goes from 25mm to 400mm and does a real good job on my D800. If I did, I could dump a bunch of other lenses. But I’d need it to be f/2.8 and have it go to f/22. Oh well, I can dream.
We had a snow shot with moose and it worked pretty well. But the snow on the mountains was blown out in the video with zebras set to 95%. Again, it’s not a D800 but it’ll blow away your little basic point and shoot. But I think my Sony RX-100 probably still beats it for dynamic range.
The electronic viewfinder – not bad for a video camera, okay for landscape shooting but poor for sports/action/moving things. When you pan/tilt, you get an image jitter. The swim is very small but the smearing in the image will irritate you if you shoot an optical DSLR. EVF (electronic view finders) aren’t there yet. I worked at a digital night vision company where we went to great efforts to have zero swim, jitter or anything else and this isn’t even close. Then again, those systems were $60,000 and this is $900. You get what you pay for.
The info in the viewfinder for a video camera is very nice. It fits the bill of shooting things where a video camera would get you into trouble. For the price, the image quality is pretty amazing. Is there better dynamic range and such out there? Yes, The GH4 and upwards. But for what this is going for, it really makes UHD accessible.
The switch to go from zoom to MF – not a fan. 2 rings are more expensive, though. There’s the zoom rocker on the shutter release. Eh, it’s under a finger, so it feels like a little point and shoot zoom for the video camera it’s designed for.
The fully manual video camera mode – thank goodness! Not allowing me to control Auto-ISO ruins other camcorders/DSLRs. Locking down exposure is critical if you want professional-looking images.
The different programmable function buttons are nice for getting what you want. Some of the switch modes like focus control are appreciated. They’re not in ergonomic places like my D800 at all. There are buttons which are appreciated on a video camera but the layout leaves lots to be desired. Like all things, it’s something you get used to.
The autofocus – amazingly fast. I’m not sure what they put in there but it must be a hybrid phase/contrast focus system because it matches my Nikon D800 focus speed quite easily. However, when you need to control focus points, that’s where it falls apart.
You’ll need lots more storage to use UHD on this camera. Your puny little 320GB drive will be gone in no time shooting with this. Think 2TB drives minimum. Why do I say this? I’m editing my film, Antarctic Tears, which is a feature length film. And it eats up 228GB of my SSD drive. And that’s shot in HD. This camera has almost 4x the resolution. Even a 500GB SSD won’t even come close to supporting a feature length film. 4k/UHD video is what HD was to our computers 10 years ago. Be ready to spend a LOT of money if you want to really work with this.
Major video shooting issue: This thing has no earphone out. That is one major failing. Why in the world they left this out is beyond me. Perhaps Panasonic is trying to push you into a higher end camera. You might be able to use the AV out and cobble something together. Who knows w/o that cable.
If you don’t have ears on your video camera, you’ll realize only after the shot is over what went wrong. I can pipe audio through my ZoomH4n and listen there, as I can use that as my XLR input, but still. No, this doesn’t have XLR. Of course not.
ND filters for video – buy one. You’ll need one. Or two. For a 3-stop ND, I use this Hoya filter.
The batteries seem to konk out pretty quick, but we were shooting at 10 degrees F with wind chill. Buy more batteries.
You’ll need an UHS-1 SD card for it. UHD video eats up a LOT of card space. I hope you bought a spare hard disk or three. Editing this video – get Rocketstore Thunderbolt enclosure with a SSD drive with a fast computer.
Thank you to Sava Malachowski of Sava Film and Open Range Films for the sample images and video. He had excellent footage to sample and work with in tough conditions, shooting in a Wyoming winter with dark animals and bright snow. There’s not much tougher.