Time lapse footage Old Bills

Old Bills vantage point
Old Bills vantage point

Old Bill’s Fun Run Timelapse

Some of my Old Bill’s Fun Run time lapse footage was used in the 2014 1% For the Tetons Video Blitz Film Festival. Check out the film here:

Any part with the race, banner or runners were my shots. There were taken with a Nikon D800, Nikon D300s, and a Sony RX-100 to create the footage for part of this film.

Time Lapse Shooting Tips

Nikon 85mm f/1.4 aperture
Nikon 85mm f/1.4 aperture

I used Nikon  lenses with aperture rings to take all of the shot sequences to avoid flicker. When building up a time lapse video, flicker is the bane of time lapse shooters. It’s caused by subtle variations in the aperture setting when the camera takes pictures. You’ll never notice these in normal shooting but if you lay the shots down in a video sequence, the effect is distracting and ruins the video.

There are software tools to “de-flicker” or deflicker the video sequence. That’s all fine but it’s another step. All of Nikon’s new lenses are G series without aperture rings. I rarely use them but for time lapse. But when you need it, there’s nothing better. The only way to directly avoid this problem is to leave the G lens wide open or stop it all the way down. Both of these options aren’t as ideal.

Canon lenses and cameras used for time lapse shooting suffer from the same problem. If you are lucky enough to own a lens with an aperture ring and are thinking about selling it, consider that if you’re ever going to shoot time lapse, you’re selling off a superior tool.

Old Bill’s Fun Run timelapse

Old Bills screenshot
Old Bills screenshot

The Community Foundation of Jackson Hole has asked me to produce a timelapse of the Old Bill’s Fun Run at the start line. This is quite an honor, as this is a major town event that has pulled in over $100M in charity money since 1997.

It’ll be a challenge to compress 3 hours of setting up, preparation, and gathering into about 30 seconds of useful finished video. I’ve done time lapses, multispeed shots before, so it’s not a new thing. This is more of how to capture the scale of the people

This should be a fun time!

Storm over the Tetons

Jackson Lake Lodge view
Jackson Lake Lodge view

After attending Thomas Mangelsen’s talk at the Willow Turnout just south of Jackson Lake Lodge in Grand Teton National Park, I decided to head over to the lodge for lunch. As I had all of my camera gear with me, I could not resist taking some photographs with the tourists.

These shots were taken way too late in the day, though they still show the beauty of the location. If you click on the picture, you will receive a scaled down version of the 46MP (megapixel) panoramic photo. This image was stitched together from my Nikon D800 shot with a Nikon 85mm f1.4D lens at f11 and 1/320 of a second.

All of the technical superlatives aside, this was a great day for shooting because there was a storm roiling over the mountains and made for much more interesting shots than we’ve had in the last week.

A few flakes of snow fell as Manglesen was giving his talk in conjunction with the Grand Teton Park Association. He was the first photography speaker they’ve had at the location. Normally they’ll have writers or painters, but I was told they were finally able to coax one of the local famous photographers to share some of their stories. I also saw Loren &  Barbara of the Teton Photo Group as well as Roger of Jackson Hole Wildlife Safaris at the talk.

D800 dreamyAlso, while I was enjoying my ham and cheese sandwich, my favorite after my return from Antarctica, I shot a time-lapse of the clouds rolling across the mountains. While the camera was clicking away, a lady walked up to the camera and tried to look through the viewfinder. I asked her to be careful and not touch the camera. She said she didn’t and continued on. As I had the D800’s viewfinder cover shielded, there was nothing to see except a flap of plastic. But she sure tried. Once I process the time-lapse, I’ll find out if anything went awry.

I love shooting time-lapse videos on the D800. I’m able to use my manual focus lenses with their manual control aperture rings, eliminating the annoying flicker that normal G lenses suffer from. I’ll have to re-post my article on how to eliminate flicker from time-lapse shots without using software. As the D800 has a built-in intervalometer, I don’t have to worry about having another annoying cable floating around. Granted, I can only shoot 1000 shots with the built-in version, but I’ve rarely had the need for more.

As I’m writing this, I’m sure I’ll find a need for it. But at 30 frames per second (fps), a 1000 frame sequence gives me 33 seconds of 1080p HD video. That’s more than enough for editing videos unless I’m going to do something exotic. That exotic might justify the expense of a fancy intervalometer and a time-lapse rail from Milapse’s Dynamic Perception group. We talked years ago when he was figuring this out and he’s got it down to a science now. Their products are highly recommended.