The Lion in Winter

DSC_D8_10355The Jackson Hole Off Square Theater Company contacted me to photograph their staged reading of The Lion in Winter, a 1966 play by James Goldman about Henry II of England, Eleanor of Aquitaine, and their children (include Richard the Lionheart) during the Christmas of 1183.

The play was made into a movie in 1968 featuring Peter O’Toole and Katherine Hepburn. It was also made into a television show in DSC_D8_103382003 with Patrick Stewart and Glenn Close. Though those actors are gone, the actors who played in this rendition directed by Natalia Macker, went well and was quite enjoyable.

DSC_D8_10505Presented in two parts, the play relates the trials and tribulations of the medieval era and illustrates how people have not changed in 1000 years. The intrigues, devious nature, and constant infighting are no different today than they were at any other time in history.

DSC_D8_10509Given the play was presented as a staged reading, I at first thought it wouldn’t be too interesting but I was quite wrong. Even though the actors held their scripts to read from, they did such a good job of interacting with each other and making the reading dramatic that them holding their scripts didn’t take away from the action at all.

DSC_D8_10521One interesting technique that the play used was a narrator at the side of the stage to give audible cues to the audience for actions that would have required more props and action than the play afforded. Whether it be Henry drawing a sword on John or Eleanor cutting herself with a knife, the lack of props didn’t detracted from the play.

DSC_D8_10527One of the best parts of photographing on a stage with the lighting is that I don’t have to add any drama to the image, I just have to capture it at the correct moment. So often lighting in things can be bland, so I work hard to add great lighting to give dimension and emotion to the image.

DSC_D8_10218It’s important for me to deliver dramatic images to my clients to give them the feeling of a moment which would be lost otherwise with boring lighting. It’s not the camera that makes the photographer better but rather a sense of timing and ability to manipulate lighting to make the image striking and exciting. And if you can’t change the lighting, then finding a place that makes the image good and the lighting workable is just as important. When I teach photography, I impart in students that it’s important to work the image. With digital photography, you can see what you’re getting, so you can keep adjusting and get the image just right.

For those more interested in learning some of my lighting techniques, check out my training DVD Flash Photography with Aaron Linsdau at TVL Video.

Photoshop for photographers

Photoshop interface
Photoshop interface

There is still time to sign up for my Introduction to Photoshop for Photographers at the Jackson Hole Art Association. In this class, we will cover all of the basics you’ll need as a photographer to get the most out of Photoshop.

The software is complex and can be daunting. In this course, we’ll get you comfortable with making your way around the software, getting everything set up and helping to improve your photographs. If you’re serious about your photography, this class is definitely worth the time.

You’ll learn some of the tip, tricks, and power-user techniques that will make you more confident and efficient with your Photoshop use. Whether you like to just dabble or you’re looking for some more serious usage of the software, this class is a great introduction. You’ll learn what all of those icons in the picture to the right mean and how you can use them.

Added private lessons

DSC03347smI’ve added private photography lessons to my offering of courses after several requests during today’s Teton Photography Symposium.

We had an excellent turnout for the talk, even though the Snow King Hill Climb was taking place at the same time. There are some very dedicated photographers in the valley. The group was enjoyable and we received very good feedback on topics for future classes. There were a stunning 13 different ideas for photography classes. If someone has a suggestion, please let me know and I’ll pitch it to the Jackson Hole Art Association.

With private photography lessons, you can learn in a comfortable, private setting at your own pace. If you don’t understand something, I will review whatever is confusing you. There is no threat of feeling foolish in front of a class full of students. I am patient and remember when I was struggling with my camera, too!

Thank you to everyone who attended the Teton Photography Group March 2014 symposium!